It’s hard to know who to blame here – the directors trying to hog credit, the studio publicity machines, the writers themselves for not taking a bigger stand?

The genesis story that Jason Reitman tells is by now well-honed. He discovered Walter Kirn’s novel “Up in the Air” in the independent bookshop Book Soup and spent a long time whipping a script into shape before getting behind the camera. “When I started writing this screenplay,” Reitman told NPR, “we were in the midst of an economic boom, and by the time I was finished we were in one of the worst recessions on record.”

What he hasn’t been saying as much was that the script was actually already in development for several years, first as an independent project and then at Fox, before he became involved, and screenwriter Sheldon Turner wrote an entire draft before Reitman put pen to paper. Turner’s draft would be recognizable to anyone who’s seen the finished film; significant elements from it, sources who read it say, appear in the finished movie.

The invention of George Clooney’s whippersnapper partner played by Anna Kendrick, for instance, came from Turner (in Turner’s version it was a man; another writer who wasn’t Reitman later changed it to a woman). A key plot point about a laid-off worker committing suicide came from Turner. And while Reitman invented many memorable lines, sources noted Turner made his mark too: he was responsible for the trademark line from George Clooney’s character to laid-off workers about founding an empire. Turner and Reitman separately declined to comment.

–Los Angeles Times – Screenwriting credits, floating up in the air

[via reader GL]