UPDATE: DVDs of Stull are now available! Buy one today.
After working on Bunker Hill, I was thinking about short projects that could be shot in my hometown of Lawrence, Kansas with some of the same crew. That October, I had an idea for a short that would be 100% unique to the area. Halloween was approaching and in Lawrence, Kansas, Halloween always brings new tellings of the legend of Stull…
Stull, Kansas, is a small, quiet town not far from Lawrence. Unfortunately for the residents of Stull, local lore has it that the old, abandoned church there is one of five — or seven or nine, depending on who you ask — gates to Hell.
Growing up, it was practically a rite of passage for high schoolers and Kansas University students to creep through the church graveyard at night and throw beer bottles — contents recently imbibed — at the walls of the old church. One of the most popular tales was that if you threw a bottle at the church wall and it didn’t shatter, that meant the Devil was in residence… and you’d better run!
More often, drunken devil-taunters were chased off by the residents of Stull or the local sheriff. The neighbors must’ve been baffled by the persistence of the thrill-seekers, who circumvented ever-larger fences and kept bringing friends.
But I wasn’t surprised people kept going out to the old church. There was something strange about that place. I heard a half-dozen first-hand accounts of nocturnal visits to Stull, and every one of them, while lacking a face-to-face with Satan, had supernatural elements. The feeling of cold hands, strange winds that sucked you into the dark church, otherworldly screams, a wraith-like mist… People who went to Stull looking for something evil — they found it.
The legend comes to life
This local legend of the old Stull church had the distilled potency of a tale honed as it is passed from generation to generation. But how get that story on film? And then it clicked… If you’re going to make a movie about four high school students knocking on the Devil’s door, why not have the Devil answer?
And he wouldn’t walk out wearing a sticker that said “Hi, my name is Lucifer.” He’s too clever for that. He would try to trick them into that gate. These teens wouldn’t know if the mysterious stranger they met at the old church was the Devil.
There would also be a player from the other team, running interference. I took an oft-repeated bit of the legend, that Pope John Paul II once ordered an airplane he was on to change course to avoid crossing over the ‘unholy ground’ of Stull — and made it into the movie’s opening. The Pope, fully aware of the Devil’s trap, would have an agent on hand to throw up roadblocks. But in the end, it would be up to the free will of the teens. Which authority would they follow?
The whole piece was sparked off by an image — an idea I had for how to reveal which of the two strangers was the Devil — and to reveal it in a visual way that fit perfectly with the legend of Stull. This shot was going to require some serious special effects, but it would be worth it. Want to know what that image is? You’ll have to watch the film.
The 10-page script was written in a single sitting, following that initial burst of inspiration. I refined it with feedback several trusted readers, including producer Greg Hurd and my good friend, t.v. writer Andrew Chambliss.
Preproduction was rushed, because I was only back in Kansas for little more than a week, and several things, as they often do in showbiz, threatened to come undone at the last minute. The big one was a special insurance certificate, without which we couldn’t rent the crystal-sync generator needed to run the lights in our light kit.
It all came through in the end, and in an epic afternoon-through-sunrise shoot, I’m proud to say we shot every single element that you see in the finished short. (Should the shoot have been two days? Yes, in hindsight. Then again, this would have nearly doubled the budget.)
I am now putting the finishing touches on the DVD for “Stull” and plan to start entering it in festivals — especially horror genre fests and international competitions that take place in Catholic countries. (I had enough bilingual friends to get translations into six languages.) If you run a festival, or know of one that it would be a good fit for, please let me know at makingthemovie AT-SIGN gmail DOT com.
I’ve been blogging about “Stull” as I worked on it, and will continue to do so. All of these posts are collected below.
- Long Distance Preproduction*
- Low Key Production Meeting
- The Quiet Before the Storm
- Logos You Can Clear*
- Adventures with the Varicam*
- Effects First
- The Web Photo Gallery
- The Effects Shot: Part Deux
- Editing While Spooked*
- First Rough Cut Done
- Unpause Me, Please
- Advice on Writing a Short
- Final Push
- Test Screening
- Phase Four, Distribution
- Puttin’ in the Credits
- DVD Fulfillment Options
- Three Rules for Doing Subtitles*
- Key Art*
- Profit During Your Festival Run
- A Completed Movie Website* (has tips on designing and building a movie website)
- Cover Art, Disc Face Art*
- Buy it now on DVD!*
- The Comic-Con Submission
- The House of Horror Review
* Denotes popular post.
IN ADDITION: “Stull” also has its own website, with trailer, photos and more. Check it out.