Jon Reiss asks: Is Indie Film Destined to Die and be Reborn?
What I propose is a middle ground. An elitist democracy. I envision a system of websites that will allow independent filmmakers to show off their wares while industry insiders’ assistants troll the internets for the next big thing. If buzz is created, it’s created between those that have the power to pump the lifeblood of distribution funds into a picture, and not a mass-market nail in the reel canister to the film’s marketability.
Which brings me to my final large point about the shifting tide of the industry: now, more than ever, we’re going to need film critics. Am I selfishly securing my job for the future? Yes. But It’s justified. Since audiences can’t waste ten dollars to figure out if they’ll like the next unknown flick – and since there will continue to be a growing number of unknown flicks saturating our eyes and ears – critics will play a (ahem) critical role in that vetting process. In a sense, having the Hollywood decision makers as a first line of defense and the critics as a second is how it’s always been. We’re just going to have a lot more to sift through.