Despite the hype you’re reading in the press and on the Internet about Brokeback, with its eight nominations, being the supposed favorite to take home the Best Picture Oscar on March 5, Crash could end up winning. The issue isn’t which film is better. The issue is more like which movie was seen by the Academy. Frankly, I find horrifying each whispered admission to me from Academy members who usually pose as social liberals that they’re disgusted by even the possibility of glimpsing simulated gay sex. Earth to the easily offended: This movie has been criticized for being too sexually tame. Hey, Academy, what are you worried about: that you’ll turn gay or, worse, get a stiffie by just the hint of hunk-on-hunk action?
I don’t believe it for a second. But we’ll know in less than a week.
UPDATE: Matt Zoller Seitz strikes back:
If Haggis’ movie wins, it won’t just take home a statuette, it’ll claim a new title: the most indefensible Best Picture winner since 1956’s tax shelter spectacle “Around the World in 80 Days.”
[Via this savage art…]